I've got a feeling this is going to be more difficult to write than my apologia.
Where do I start? Not sure, actually, seeing as I don't have my information sheet with me. Oh well, I can always just read some of my classmates personal reflections to get an idea.
...
I read them and my self esteem is lowered as a result. There's no way I can be that insightful.
I'm not doing this post correctly, am I?
Upon discovering that I was allowed to read The Hobbit as an English project, my heart (brain?) metaphorically jumped for joy. I had always wanted to read the Lord of the Rings trilogy and the prequel, so this was a great opportunity to read Tolkien's masterpieces. After all, it's a school project, so there will be deadlines to keep me going (at the last minute) and reading responses to get me... thinking and... in-depth analysis and... essays on the text...
Maybe I shouldn't have chosen a novel I was genuinely interested in. For me, there's something about critical thinking that just seems to suck out the fun in reading books. I'm not an anti-literary person (why would I be in Enriched Grade 11 English if I hated books?), there's just something inside of me that associates critically analyzing a text for the types of sentence an authour used in order to develop a specific tone and prove his deductive claim with dissatisfaction. Thus, upon writing 4 long posts analyzing pieces of a novel I was hoping to enjoy, I began to care less and less for the novel and thought of it more as homework. I don't like homework. Home is for naps and cooking pancakes and other pastries of similar quality. Not working hard. I understand why homework is importan-
Alright, time to grasp a hold of my sanity again. I'm rambling and that's not cohesive (coherent?). Maybe I'm not rambling, but I'm certainly not generating a good reputation with what I've said so far. Okay, back to the project.
I'm going to be honest, I didn't really enjoy the blog project (please contain your shock). I guess I enjoyed aspects of it, like writing puns and being morbidly sarcastic to the point that I myself was no longer able to distinguish between truth and lies. It was the only thing I could do to keep myself entertained, and hey, I like being entertained. This is probably why I have posts like this and this. I'm going to pause for a second and just laugh at that "Gramur" post. It's too funny for my own good. Definitely doesn't create the proper tone for this project, but it's entertaining... right?
There I go again, losing track of what I'm supposed to be writing about. Have I already accomplished the purpose of the personal reflection? I should rethink writing this post without my info sheet. By the way, this post is pretty much a stream of consciousness, though the written stream is much slower than my actual thinking stream. Umm...
I'm going to write some more about The Hobbit now. Just a heads up. It really was a good novel, despite my grotesque analysis of it in my previous posts. Like I said before, the setting and environment Tolkien created was really quite magical, and as I recap some of my favourite novels in my brain mind thing, this is a common theme. I don't think I could ever enjoy a novel about some drama crap set in the mid 1900s. That's way too boring. Novels that include fantasy elements and conceptualized worlds are just so... like, neat! The Hobbit is a great example of this, it's got neat things like elves and dwarves and dragons and little people with feet that are hairy enough that I could likely harvest the feet hair and knit a sweater suitable for Canadian winters. I enjoy novels that I can really get lost in and spend a weekend lying in bed just reading about fictional settings and characters. Not The Landing. *shudders*
What an unprecedentedly long blog post! I could probably make it a lot shorter by dumping sentences and thought fragments such as this, but that wouldn't be as interesting for the reader. Or maybe it would. I don't really care. I'm happy with it. It's probably my best written work this year (yes that's a hyperbole (unless you (the reader) think that it really is my best written work this year, in which case that was not a hyperbole)), cause it's just so honestly cool and great, even though I've used vaguely descriptive phrases that are poorly composed by Grade 11 standards, such as "honestly cool and great".
Oh boy, this is almost as long as my apologia! Yes, that includes the preface at the beginning and all my ramblings that have been placed in between the insightful paragraphs describing my thoughts on my-there.
It's longer than my apologia. "There" was the 817th word, which supersedes the mediocre 816 words that are in my apologia.
Cool.
-Dylan and Samuel, BFFs
PS. I take back what I said about this being harder to write than the apologia. I enjoyed it. That's also cool.
Sunday, December 4, 2011
Apologia
APOLOGIA
Dylan Woodley
October 2nd, 2011
Mrs. McConkey
ENG3UE
The Hobbit is a classic novel, but what does that mean? A classic novel is universally enjoyed and is relatable by all. That's not to say that it is a generic piece of text that everyone says, "Yeah, I feel ya, man," to, not unlike an American Top 40 pop song who's foundations are rooted in a metaphor concocted by a mediocre lyricist. It must also stand the test of time, and be enjoyed by multiple generations. Furthermore, the most powerful classic novels make an impact on society in some way. In Tolkien's case, he redefined an entire genre and inspired countless authours.
The Hobbit practically rewrote the fantasy/adventure genre, which is profoundly evident in modern literature. One of the most common themes among today's stories is the "there and back again" motif, a theme that was publicized by The Hobbit. Bilbo's journey from a small underground hut to soaring mountains filled with trolls and elves and dwarves and dragons, back to the humble abode has inspired many an authour, and simply by glancing at fantasy novels written after The Hobbit, it's clear that Tolkien's writing has been world changing. The inspiration might not be direct in every case, but the motif has become so overwhelming that those wishing to write a fantasy adventure novel can't help but draw some themes from The Hobbit.
Another important element of a novel in order for it to be considered classic is for it to revolve around a universal theme that everyone can at the very least relate to. Because of this necessity, novels that are written for a niche audience cannot become classics, as only a select portion of society can adequately connect to what the authour is trying to say. Tolkien did not write for a niche audience, however. Although his stories originated from tales he told to his children before bed, they include themes that are universally appealing. The most pronounced theme in The Hobbit is the underlying greed that motivates the characters on their adventure. Living in a capitalistic world, it was easy for me to personally connect to the theme of this novel, as I'm sure it is for many other readers. This personal connection was fundamental for my enjoyment of the novel, as it creates characters that are believable and realistic.
This leads me into my third point. The characters that Tolkien created for his novel are lifelike; so lifelike, in fact, that one could believe they exist if it weren't for the fact that they are fictional creatures. The obvious greed that motivates the dwarves is symbolic of how society functions, and because of this, we as an audience can develop connections between the real world and the fictional one that was invented by the authour. This bond is what creates the sense of reality within the written piece. The Hobbit can almost come across as Tolkien's viewpoint on the world he lived in at the time, mixed with fantasy elements to tell a story. Thus, the personalities and lessons that are evident within the characters have an effect on the audience, as it subtly teaches us of the dangers of personal sovereignty and the repercussions of the injustice we impose upon others.
Finally, in order for a novel to be considered classic, it must leave an impression on the reader. A classic novel does not go unnoticed after being completed, instead, the reader ponders the meaning behind the story and the lessons that can be learned from the novel. "Now a novel is not a sermon, and one of the worst sins of a novelist is to become a preacher" (Authour of an essay that the class received some time ago, 9). The Hobbit isn't a textbook of morals and human dignity, but it does contain features and passages that symbolize teachings we can receive by reading the novel. Bilbo's entire journey can teach us the value in taking the first step in a journey, as it can seem like the most difficult one. He was comfortable with the world he was living in, as many of us probably are, but by going on the adventure with the strange wizard at his doorstep he was able to reach far greater heights than he ever could have dreamed of. One probably does not expect to help slay a dragon because Bilbo did, but the concept of taking that first step can be inspiring.
In conclusion, The Hobbit is a classic novel, not only because it has been read by so many people over the course of nearly a century, but also because it has made a significant impact on individual readers, as well as the literary world. Tolkien paved the way for his The Lord of the Rings saga with this classic masterpiece, and set a standard for the fantasy and adventure genres.
I apologiaze if I did not do this assignment properly.
Dylan Woodley
October 2nd, 2011
Mrs. McConkey
ENG3UE
The Hobbit is a classic novel, but what does that mean? A classic novel is universally enjoyed and is relatable by all. That's not to say that it is a generic piece of text that everyone says, "Yeah, I feel ya, man," to, not unlike an American Top 40 pop song who's foundations are rooted in a metaphor concocted by a mediocre lyricist. It must also stand the test of time, and be enjoyed by multiple generations. Furthermore, the most powerful classic novels make an impact on society in some way. In Tolkien's case, he redefined an entire genre and inspired countless authours.
The Hobbit practically rewrote the fantasy/adventure genre, which is profoundly evident in modern literature. One of the most common themes among today's stories is the "there and back again" motif, a theme that was publicized by The Hobbit. Bilbo's journey from a small underground hut to soaring mountains filled with trolls and elves and dwarves and dragons, back to the humble abode has inspired many an authour, and simply by glancing at fantasy novels written after The Hobbit, it's clear that Tolkien's writing has been world changing. The inspiration might not be direct in every case, but the motif has become so overwhelming that those wishing to write a fantasy adventure novel can't help but draw some themes from The Hobbit.
Another important element of a novel in order for it to be considered classic is for it to revolve around a universal theme that everyone can at the very least relate to. Because of this necessity, novels that are written for a niche audience cannot become classics, as only a select portion of society can adequately connect to what the authour is trying to say. Tolkien did not write for a niche audience, however. Although his stories originated from tales he told to his children before bed, they include themes that are universally appealing. The most pronounced theme in The Hobbit is the underlying greed that motivates the characters on their adventure. Living in a capitalistic world, it was easy for me to personally connect to the theme of this novel, as I'm sure it is for many other readers. This personal connection was fundamental for my enjoyment of the novel, as it creates characters that are believable and realistic.
This leads me into my third point. The characters that Tolkien created for his novel are lifelike; so lifelike, in fact, that one could believe they exist if it weren't for the fact that they are fictional creatures. The obvious greed that motivates the dwarves is symbolic of how society functions, and because of this, we as an audience can develop connections between the real world and the fictional one that was invented by the authour. This bond is what creates the sense of reality within the written piece. The Hobbit can almost come across as Tolkien's viewpoint on the world he lived in at the time, mixed with fantasy elements to tell a story. Thus, the personalities and lessons that are evident within the characters have an effect on the audience, as it subtly teaches us of the dangers of personal sovereignty and the repercussions of the injustice we impose upon others.
Finally, in order for a novel to be considered classic, it must leave an impression on the reader. A classic novel does not go unnoticed after being completed, instead, the reader ponders the meaning behind the story and the lessons that can be learned from the novel. "Now a novel is not a sermon, and one of the worst sins of a novelist is to become a preacher" (Authour of an essay that the class received some time ago, 9). The Hobbit isn't a textbook of morals and human dignity, but it does contain features and passages that symbolize teachings we can receive by reading the novel. Bilbo's entire journey can teach us the value in taking the first step in a journey, as it can seem like the most difficult one. He was comfortable with the world he was living in, as many of us probably are, but by going on the adventure with the strange wizard at his doorstep he was able to reach far greater heights than he ever could have dreamed of. One probably does not expect to help slay a dragon because Bilbo did, but the concept of taking that first step can be inspiring.
In conclusion, The Hobbit is a classic novel, not only because it has been read by so many people over the course of nearly a century, but also because it has made a significant impact on individual readers, as well as the literary world. Tolkien paved the way for his The Lord of the Rings saga with this classic masterpiece, and set a standard for the fantasy and adventure genres.
I apologiaze if I did not do this assignment properly.
Sunday, October 30, 2011
Middle Earth- The Hook.
In an earlier post I examined the connection between The Hobbit and the archetypal journey, attempting to discover why this novel is so timeless. It was briefly touched upon, but the amount of detail that went into Middle Earth merits its own reading response. Tolkien created an entire new world for his story, including new languages, deep history, vast landscapes and mythical creatures. "What is a hobbit? I suppose hobbits need some description nowadays, since they have become rare and shy of the Big People, as they call us. They are (or were) a little people, about half our height, and smaller than the bearded dwarves. Hobbits have no beards. There is little or no magic about the, except the ordinary everyday sort which helps them to disappear quietly and quickly when large stupid folk like you and me come blundering along" (Tolkien 4). Tolkien introduces his story by describing the characters and locations he's created, immediately setting the tone for a fantasy tale rich with powerful imagery and imagination. I would argue that this fantasy element is what has caused The Hobbit to be such a timeless piece.
At its core, The Hobbit is a story of a protagonist who journeys with a group of strangers to slay a villain and claim their reward. Built upon this is a delicately pieced landscape with magical beings and enchanting visualization that effectively communicate to the reader an imaginative world to gaze upon. The amount of work Tolkien put into creating Middle Earth is astounding, and while reading this novel I truly was amazed by the stunning creativity and detail poured into The Hobbit. Like any great fantasy story, it draws the reader in so powerfully one could easily get lost in this world. I truly believe this is what has captivated so many readers around the world. The story alone is not significant enough to warrant The Hobbit's success, but combined with an incredibly unique atmosphere, and it is metaphorically raised up to an entirely new level of excellence.
An interesting topic to dive into would be observing the hooks in novels that make them so appealing. As seen in The Hobbit, the story itself is not the most interesting part of it, the setting is. Does this lie true in most classic novels or is plot usually the most prominent aspect? You might quickly assume that plot is the leading factor in hooks, but if it were to be investigated the answer may differ.
Greed
Chapter after chapter, I couldn't help but notice that greed is the central them of The Hobbit. Nearly all of the key decisions made by the characters are done out of selfishness. One might suspect that this behavior would be eradicated near the end, signifying an underlying moral to the story, yet the characters rely on greed up until the last words of the novel. It makes me wonder if Tolkien created the characters this way as a reflection on his personal outlook on humanity.
At first, the selfish acts are mostly made due to hunger or thirst. During the beginning of their adventure, the dwarves often get themselves into trouble as a result of snooping around for food where they shouldn't, such as the first encounter with the goblins. This greed escalates to a point where the dwarves put each other's lives at risk in order to obtain treasure. ""You! You!" cried Thorin, turning upon him and grasping him with both hands. "You miserable hobbit! You undersized burglar!" he shouted at a loss for words, and he shook poor Bilbo like a rabbit. "By the beard of Durin! I wish I had Gandalf here! Curse him for his choice of you! May his beard wither! As for you I will throw you to the rocks!" he cried and lifted Bilbo in his arms" (Tolkien 254).After overcoming goblins and spider and dragons, the dwarves still feel no compassion when there is treasure in it for them.
Are we as a society much like the dwarves? Is material gain at the forefront of our minds, more important than the desires of others? In my opinion, this is the dogma of Tolkien. It may be a rash analysis, but the prominence of greed and selfish infatuation is too strong in The Hobbit to be ignored. A further examination of the life of Tolkien may provide evidence of why such a striking theme is presented throughout. The Hobbit was first published in 1937, meaning it was written during the years shortly before. Surely Tolkien would have been exposed to the consumerism and greed of the 1920s, so perhaps the societal greed is what inspired Tolkien to create such selfish characters.
Regardless of the history, The Hobbit is a story rooted in greed, with the dwarves lusting over treasure and Bilbo overcoming it.
-Dylan & Samuel, BFFs
At first, the selfish acts are mostly made due to hunger or thirst. During the beginning of their adventure, the dwarves often get themselves into trouble as a result of snooping around for food where they shouldn't, such as the first encounter with the goblins. This greed escalates to a point where the dwarves put each other's lives at risk in order to obtain treasure. ""You! You!" cried Thorin, turning upon him and grasping him with both hands. "You miserable hobbit! You undersized burglar!" he shouted at a loss for words, and he shook poor Bilbo like a rabbit. "By the beard of Durin! I wish I had Gandalf here! Curse him for his choice of you! May his beard wither! As for you I will throw you to the rocks!" he cried and lifted Bilbo in his arms" (Tolkien 254).After overcoming goblins and spider and dragons, the dwarves still feel no compassion when there is treasure in it for them.
Are we as a society much like the dwarves? Is material gain at the forefront of our minds, more important than the desires of others? In my opinion, this is the dogma of Tolkien. It may be a rash analysis, but the prominence of greed and selfish infatuation is too strong in The Hobbit to be ignored. A further examination of the life of Tolkien may provide evidence of why such a striking theme is presented throughout. The Hobbit was first published in 1937, meaning it was written during the years shortly before. Surely Tolkien would have been exposed to the consumerism and greed of the 1920s, so perhaps the societal greed is what inspired Tolkien to create such selfish characters.
Regardless of the history, The Hobbit is a story rooted in greed, with the dwarves lusting over treasure and Bilbo overcoming it.
-Dylan & Samuel, BFFs
The Archetypal Journey Again
The Hobbit is a prime example of the archetypal journey. We all know what this journey is, subconsciously at least. It's the fundamental elements that combine to create an entire adventure, from the "Ordinary World" to the "Return with the Elixir". Nearly every story utilizes this format, and The Hobbit is no exception. If anything, Tolkien's use of the archetypal is more prominent than most. It makes the story easy to understand and rooted in familiarity. Does this simplicity contribute to why the novel has lasted throughout the ages? I'm banking on "no" (the fantasy elements are the most intriguing), but let's take a look at this adventure anyway.
The novel doesn't need to be broken down much in order to reveal the archetypal elements. The title itself infers this relation. The Hobbit or There and Back Again. "There and Back Again" doesn't encompass the entire theory of the archetypal journey, but certainly the concept is present. The title implies a journey beginning in a simple place (an "ordinary world", perhaps?), traveling to a destination to achieve a goal and then coming home. These themes are all present in the archetypal journey, and that's all taken from the title! In the actual story, these connections are even more obvious.
Looking at the graphic above, it's actually quite shocking to me as to how easy it is to connect a plot point with each stage of the archetypal journey. In The Hobbit the "Approach to the Inmost Cave" is literally an approach to an inmost cave. The fact that Tolkien's novels were fabricated upon stories he told to his children may contribute to The Hobbit's deep connection with the archetypal journey. I say this because a familiar story base would be easy for a child to understand, which is probably the audience Tolkien constructed his stories for (eventually revamping them to accommodate a more mature audience).
Is a story that is easily comprehended essential to the lasting power of a novel? The Hobbit certainly shows that even a simple basis with intricate details can face the test of time, but this might not hold true for other novels. Unfortunately, this is a blog dedicated to one piece of fiction, so that question is for you to answer yourself.
-Dylan Woodley, a BFF
The novel doesn't need to be broken down much in order to reveal the archetypal elements. The title itself infers this relation. The Hobbit or There and Back Again. "There and Back Again" doesn't encompass the entire theory of the archetypal journey, but certainly the concept is present. The title implies a journey beginning in a simple place (an "ordinary world", perhaps?), traveling to a destination to achieve a goal and then coming home. These themes are all present in the archetypal journey, and that's all taken from the title! In the actual story, these connections are even more obvious.
Looking at the graphic above, it's actually quite shocking to me as to how easy it is to connect a plot point with each stage of the archetypal journey. In The Hobbit the "Approach to the Inmost Cave" is literally an approach to an inmost cave. The fact that Tolkien's novels were fabricated upon stories he told to his children may contribute to The Hobbit's deep connection with the archetypal journey. I say this because a familiar story base would be easy for a child to understand, which is probably the audience Tolkien constructed his stories for (eventually revamping them to accommodate a more mature audience).
Is a story that is easily comprehended essential to the lasting power of a novel? The Hobbit certainly shows that even a simple basis with intricate details can face the test of time, but this might not hold true for other novels. Unfortunately, this is a blog dedicated to one piece of fiction, so that question is for you to answer yourself.
-Dylan Woodley, a BFF
post #2
post 2 coming soon!!!! don't go away yet it's gonna be out soon! I wish i had a trailer for it :(
-Samuel L. Jackson, a BFF
-Samuel L. Jackson, a BFF
Bilbo Baggins- A New Hobbit
I believe that the internal growth of the protagonist is an essential element of good storytelling. We as readers, feel compassion for the characters that lead the story (if this is the authour's intention), and generally we like to see the character succeed in their quest. As such, there is genuine disappointment and despair when the hero fails in a part of their journey. Over the course of the story, the protagonist should learn from their mistakes and grow as a person to ultimately achieve their goal, which is exactly what happens in The Hobbit.
Bilbo begins his journey as a meek hobbit, but like many great protagonists, his role changes during the journey. The major turning point in Bilbo's character is his encounter with the giant spiders. Up to this point, Bilbo hasn't yet defeated an enemy on his own, and still feels vulnerable to the new world he has been thrust in to. He relied on his comrades in order to conquer the obstacles in their path, leaving the reader wanting more to go in Bilbo's favour. When Bilbo slays the spider with his sword, a feeling of excitement and fulfillment rush over him. "Somehow the killing of the giant spider, all alone by himself in the dark without the help of the wizard or the dwarves or of anyone else, made a great difference to Mr Baggins. He felt a different person, and much fiercer and bolder in spite of an empty stomach, as he wiped his sword on the grass and put it back in its sheath" (Tolkien 146). From hear on in, Bilbo displays a new level of leadership and bravery. He is now a real hero, which is satisfying to the audience. This internal growth is something readers yearn for, and Tolkien delivers exactly that in The Hobbit.
Think of any great story. Chances are, the protagonist goes through a change similar to the metamorphosis of Bilbo's character. It likely doesn't involve giant spiders, but the symbolism itself is still there. In one of the most famous films of all time, Citizen Kane, (spoilers coming up, so either skip this part or watch a two hour movie) Charles Kane is depicted as a mean spirited man that had everything he could have ever wanted. The portrayal of his life keeps the audience from feeling empathy towards the man, yet wanting something positive to be revealed so that they can side with the protagonist. Ultimately, Charles Kane is revealed to have said his famous last words as an allusion towards the sled he owned as a child, which is implied to be the only moment in his life where he was truly happy. The audience is then satisfied with Charles' character, as he is no longer seen as a greedy old man who got everything he wanted, rather, he is a poor soul who led his life in disappointment and sadness. The change of character (although Kane himself didn't change, the attitude towards him does) makes the journey worthwhile because as an audience, we revel in the character's achievement. Proper character development causes the audience to unconsciously grow attached to the character, eventually making them share in the character's emotions and victory.
If we were to delve into other classic stories we would see this trend continue. Simply put, the development of character and personality growth is a vital element in the successful telling of a story. Because of this, Bilbo's rite of passage is a significant turning point in The Hobbit, and is crucial for his character to complete the journey.
-Dylan & Samuel, BFFs
Bilbo begins his journey as a meek hobbit, but like many great protagonists, his role changes during the journey. The major turning point in Bilbo's character is his encounter with the giant spiders. Up to this point, Bilbo hasn't yet defeated an enemy on his own, and still feels vulnerable to the new world he has been thrust in to. He relied on his comrades in order to conquer the obstacles in their path, leaving the reader wanting more to go in Bilbo's favour. When Bilbo slays the spider with his sword, a feeling of excitement and fulfillment rush over him. "Somehow the killing of the giant spider, all alone by himself in the dark without the help of the wizard or the dwarves or of anyone else, made a great difference to Mr Baggins. He felt a different person, and much fiercer and bolder in spite of an empty stomach, as he wiped his sword on the grass and put it back in its sheath" (Tolkien 146). From hear on in, Bilbo displays a new level of leadership and bravery. He is now a real hero, which is satisfying to the audience. This internal growth is something readers yearn for, and Tolkien delivers exactly that in The Hobbit.
Think of any great story. Chances are, the protagonist goes through a change similar to the metamorphosis of Bilbo's character. It likely doesn't involve giant spiders, but the symbolism itself is still there. In one of the most famous films of all time, Citizen Kane, (spoilers coming up, so either skip this part or watch a two hour movie) Charles Kane is depicted as a mean spirited man that had everything he could have ever wanted. The portrayal of his life keeps the audience from feeling empathy towards the man, yet wanting something positive to be revealed so that they can side with the protagonist. Ultimately, Charles Kane is revealed to have said his famous last words as an allusion towards the sled he owned as a child, which is implied to be the only moment in his life where he was truly happy. The audience is then satisfied with Charles' character, as he is no longer seen as a greedy old man who got everything he wanted, rather, he is a poor soul who led his life in disappointment and sadness. The change of character (although Kane himself didn't change, the attitude towards him does) makes the journey worthwhile because as an audience, we revel in the character's achievement. Proper character development causes the audience to unconsciously grow attached to the character, eventually making them share in the character's emotions and victory.
If we were to delve into other classic stories we would see this trend continue. Simply put, the development of character and personality growth is a vital element in the successful telling of a story. Because of this, Bilbo's rite of passage is a significant turning point in The Hobbit, and is crucial for his character to complete the journey.
-Dylan & Samuel, BFFs
Thursday, October 20, 2011
my book
is pretty good so far. It's got hobbits and stuff. I'll post some reading responses eventually.
-Dylan & Samuel, BFFs
-Dylan & Samuel, BFFs
Tuesday, October 11, 2011
Found Poem
So I finished my found poem but before I hand it in I'd like some feedback. My computer's copy-paste function broke, so I just took a pic of it. All criticism is welcome! (except for bad criticism)
-Dylan & Samuel, BFFs
-Dylan & Samuel, BFFs
Saturday, October 8, 2011
My Links List
I've already completed my excellent introductory blog post, so now all I have left to complete is my links list. Here goes *nothing:
1. http://www.echeat.com/essay.php?t=32285
From eCheat.com, **not that I cheat or anything, it's just relevant to the subject, as it represents the views of other people.
2. http://classiclit.about.com/library/bl-etexts/rfletcher/bl-rfletcher-history-preliminary.htm
Let's face it, I don't read a lot of novels that weren't written before the invention of the printing press, so my knowledge of classic novels is a bit skewered. This website will surely help me learn the learns.
3. http://www.lordotrings.com/interview.asp
This here is an interview with JRR Tolkien, ***cause he's a cool guy
4. http://www.bookrags.com/The_Hobbit
It's like cliff notes, but not for when you get stuck reading Romeo & Juliet.
5. http://eng3ue2011.blogspot.com/
This is the class blog. It is important. No questions.
6. http://www.thehobbitblog.com/
The Hobbit is being adapted into a film, directed by Samuel's brother!
7. http://www.readingmatters.co.uk/book.php?id=71
Gotta get some additional perspectives on the novel, ****am I right?
8. http://www.lord-of-the-rings.org/hobbit.html
This is another summary of The Hobbit. I haven't read the whole novel however, so I refuse to read it yet (if this website is actually spreading anti-English propaganda, I am deeply sorry. I haven't read it.)
9. http://tolkien.cro.net/mearth.html
Bilbo Baggins' adventure takes place in Middle Earth, a fantasy themed place with much to learn about. This website has some neat information on several different topics regarding the setting for The Hobbit
10. http://www.tolkiensociety.org/tolkien/biography.html
Some biographical info on Tolkien.
*something
**I do cheat
***cause he is the authour of The Hobbit
****or am I right?
-Dylan & Samuel, BFFs
1. http://www.echeat.com/essay.php?t=32285
From eCheat.com, **not that I cheat or anything, it's just relevant to the subject, as it represents the views of other people.
2. http://classiclit.about.com/library/bl-etexts/rfletcher/bl-rfletcher-history-preliminary.htm
Let's face it, I don't read a lot of novels that weren't written before the invention of the printing press, so my knowledge of classic novels is a bit skewered. This website will surely help me learn the learns.
3. http://www.lordotrings.com/interview.asp
This here is an interview with JRR Tolkien, ***cause he's a cool guy
4. http://www.bookrags.com/The_Hobbit
It's like cliff notes, but not for when you get stuck reading Romeo & Juliet.
5. http://eng3ue2011.blogspot.com/
This is the class blog. It is important. No questions.
6. http://www.thehobbitblog.com/
The Hobbit is being adapted into a film, directed by Samuel's brother!
7. http://www.readingmatters.co.uk/book.php?id=71
Gotta get some additional perspectives on the novel, ****am I right?
8. http://www.lord-of-the-rings.org/hobbit.html
This is another summary of The Hobbit. I haven't read the whole novel however, so I refuse to read it yet (if this website is actually spreading anti-English propaganda, I am deeply sorry. I haven't read it.)
9. http://tolkien.cro.net/mearth.html
Bilbo Baggins' adventure takes place in Middle Earth, a fantasy themed place with much to learn about. This website has some neat information on several different topics regarding the setting for The Hobbit
10. http://www.tolkiensociety.org/tolkien/biography.html
Some biographical info on Tolkien.
*something
**I do cheat
***cause he is the authour of The Hobbit
****or am I right?
-Dylan & Samuel, BFFs
Thursday, October 6, 2011
Hello World
Many blogs start off their blogging, err, career with a post that says "Hello World". This is generally meant to simply greet the three readers they have, though I mean "Hello World" in a very literal sense. One day, Samuel L. Jackson's Classic Novel Study of Movies will reach the farthest corners on the globe (which is a curious saying, as the Earth is spherical and as such has no corners. That is of course, unless this saying is a reference to the improperly proportioned rectangular map of Earth, which actually has four (!) corners.)
How will I do this, you may be wondering? By doing nothing. The world population shall flock to this blog for a source of mental nourishment, and I will be their king.
-Dylan & Samuel, BFFs
How will I do this, you may be wondering? By doing nothing. The world population shall flock to this blog for a source of mental nourishment, and I will be their king.
-Dylan & Samuel, BFFs
Thursday, September 29, 2011
This is Blog
Hi.
I'm Dylan surname censored for safety reasons, a Grade 11 student from location censored for safety reasons. You might remember the blog I wrote two years ago, Extra Marks for Bilinguality, a worldwide acclaimed blog which enriched the youth of today with knowledge and insight. I took a year off from blogging so that I could spend more time writing correctly cited Wikipedia articles and making scrapbooks for the homeless, but I have returned once again. This time, I will be reading the classic novel The Hobbit with my good friend, Samuel L. Jackson. Together we hope to succeed in analysing The Hobbit so that we can conclude whether or not it is a classic novel.
Bless you.
Samuel and I hope to grow as critically thinking writers, and will be posting a number of posts through this semester aimed at summarizing The Hobbit and posting my ideas as to what I think about this novel. The internet has developed so much since its unveil in 2003 that you can now comment on my blog posts! Through this technological breakthrough, you can criticize and compliment my writing skills. But mostly compliment.
Y'know, looking back on this post, I realize it doesn't really make much sense. Feel free to compliment me on that!
-Dylan & Samuel, BFFs
I'm Dylan surname censored for safety reasons, a Grade 11 student from location censored for safety reasons. You might remember the blog I wrote two years ago, Extra Marks for Bilinguality, a worldwide acclaimed blog which enriched the youth of today with knowledge and insight. I took a year off from blogging so that I could spend more time writing correctly cited Wikipedia articles and making scrapbooks for the homeless, but I have returned once again. This time, I will be reading the classic novel The Hobbit with my good friend, Samuel L. Jackson. Together we hope to succeed in analysing The Hobbit so that we can conclude whether or not it is a classic novel.
Bless you.
Samuel and I hope to grow as critically thinking writers, and will be posting a number of posts through this semester aimed at summarizing The Hobbit and posting my ideas as to what I think about this novel. The internet has developed so much since its unveil in 2003 that you can now comment on my blog posts! Through this technological breakthrough, you can criticize and compliment my writing skills. But mostly compliment.
Y'know, looking back on this post, I realize it doesn't really make much sense. Feel free to compliment me on that!
-Dylan & Samuel, BFFs
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